2022 Colorado Music Educators Association Conference 2022 Colorado Music Educators Association Conference

Wednesday, January 26, 2022

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CMEA Conference Registration
William Kohut
William Kohut
CMEA, Executive Director

Pre-registration packets may be picked up during this time. If you have not registered for the conference by January 21st you will need to complete the on-line registration form and either make payment by credit card or by check and come to the on-site registration area. You will be asked to present your invoice and check payment if paying by check.

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Welcome and Introductions
Michelle Ewer
Michelle Ewer
Tri-M Chair

Clinic attendees will gain insight into a composer’s creative process, how that influences rehearsal procedure and, ultimately, the improvement of ensemble performance.

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Wellness and Self-Care for Artist’s: Tips for You and Your Students
John McGuire
John McGuire
Colorado State University, Associate Professor of Horn
Andrew Knight
Andrew Knight
Colorado State University, Associate Professor of Music Therapy

Musician’s wellness is an under-researched topic, despite obvious impacts to overall wellbeing. Students, however, are at an age that they can start creating habits to grow an understanding of self-care practices that 1) are specific to musicians and 2) help them to keep making music in search of a career path that is healthy and sustainable.

In this session, presenters will:

  1. Explain the four dimensions of wellness as they relate to musicians: physical, social, emotional, and financial.
  2. Facilitate discussion around the principles of wellness for artists as taught at the university level.
  3. Share resources to apply with students; from a brief rehearsal break to long-term tactics for struggling students.
  4. Lead experiential exercises that offer a reset for CMEA attendees, and provide space to communicate about self-care experiences as they relate to career growth.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Keynote Address: One Person Makes a Difference
Tim Lautzenheiser
Tim Lautzenheiser
Tri-M, Keynote Speaker. Chair National Tri-M

YOU make a difference, I make a difference, we ALL make a difference. The question we must ask ourselves is: WHAT KIND OF DIFFERENCE ARE WE GOING TO MAKE? Tri-M students are postured to have a positive impact on their chapters, their colleagues, their schools and their communities. The ART of MUSIC combined with the POWER of LEADERSHIP is a potent recipe-for-success in every aspect of life. The time is NOW, the LEADER is each and everyone of us!

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Lunch

Grab lunch on your own!

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Empower Your Students - Teach them How to Conduct!
Jennifer L. Grice
Jennifer L. Grice
Windsor High School, Director of Bands & Orchestra

This session gives you the tools and curriculum to teach your students to conduct in front of the ensemble. Group activities with your band, choir, or orchestra will be provided along with literature and examples in each area of music at varying difficulty levels.

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Final Concert

Students will perform the Grand Finale for Teachers/Chaperones/CMEA Members

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Closing Remarks

Thank yous and Goodbyes

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Rehearsal Lab
Robert Sheldon
Robert Sheldon
Composer/Conductor/Clinician

Rehearsal strategies for preparing students. Helpful tools for music teachers in working with ensembles in everyday classroom settings.

Rock Canyon High School Band, under the direction of Zachary Fruits will serve as the demonstration group for this session.

Thursday, January 27, 2022

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CMEA Opening Session, Keynote, and Honor Awards Ceremony
Kevin Beaber
Kevin Beaber
CMEA, President
Cynthia Eversole
Cynthia Eversole
CMEA, President-Elect
Omar Thomas
Omar Thomas
University of Texas at Austin, Assistant Professor of Composition

CMEA President Kevin Beaber and CMEA President-elect Cynthia Eversole welcome all to the 2022 conference and annual meeting of the membership. Enjoy a keynote address presented by Omar Thomas, and celebrate the accomplishments of our CMEA Honor Award Recipients from 2021 and 2022.

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Bow Guides, Wrist Guards, Chapstick? A Guide to Teaching Aids and Their Many Uses
Lindsay Genadek
Lindsay Genadek
Private Strings Teacher

Parents are busy and tired of fighting with their kids, students can't remember everything to practice and as a teacher, you know you can't move on until technique is correct. Sometimes technique feels like an uphill battle and can be very discouraging to students and parents. There are so many teaching aids, common and uncommon, to use to help with this exact scenario and this session will focus on what can be used to help the many different technique pitfalls our students succumb to. These teaching aids help the student focus on what's really fun about learning music: The Music!

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Hearing vs. Listening in Music: How to hear better by knowing what to listen for
Gary J. Lewis
Gary J. Lewis
University of Colorado Boulder, Director of Orchestral Studies

Hearing what exactly is going on in our ensembles is perhaps the most challenging aspect of conducting. In this clinic we will explore ways to broaden our awareness and musical expression, and to hear our groups more effectively, by knowing where to listen and what to listen for.

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Rocky Mountain High School - Rocky Mountain Winds
Scott Schlup
Scott Schlup
Rocky Mountain High School, Director of Bands

Presider - Craig Woodall, Rocky Mountain High School Principal

Concert Host - Peter Toews, IMC Chair

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Cherry Creek High School - Jazz Band A
Tim Libby
Tim Libby
Cherry Creek High School, Director of Bands

This performance is limited to 75 registered attendees, due to Health & Safety Protocols. Be sure to select "attending" (or click the + symbol) for this session to ensure your spot! Note: Additional seating will be made available on a first-come-first-serve basis after the start time of the session.

Presider - Ryan Silva, Cherry Creek High School Principal

Concert Host - Andrew Holcombe, IMC District 1 Representative

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Empowered Listening: Turning Accurate into Artistic
Donald J. McKinney
Donald J. McKinney
University of Colorado Boulder, Director of Bands and Professor of Conducting

How can you and your students elevate your performances from accurate to artistic? This session seeks to answer this relevant and vital question by providing alternative strategies that will enhance your listening skills and empower your students to engage with the rehearsal process. We will explore new methods to create your personal aural image and heighten your expectation for student performance. By using examples from a variety of scores, we will examine how to quickly process and study the printed score to make informed decisions that will determine your performance expectation. Most importantly, we will explore ways to energize your rehearsals and empower your students’ listening. It will be our goal to turn ensemble rehearsals into exciting and creative spaces where students take risks, explore the unknown, and become collaborators in the artistic pursuit.

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Teachers Matter Too: Recognizing and Reducing Teacher Burnout
David Pope
David Pope
Baldwin Wallace University, Associate Professor of Music Education

Balancing work and home life is difficult for most music teachers. In many instances, music teachers sacrifice their personal well-being and time with their family so they can provide their students with quality experiences. This unhealthy divide was only exasperated during the pandemic. In this session, I will discuss the internal, external, and physical factors that cause teacher burnout, how to recognize the signs of burnout, and strategies for reducing teacher burnout. Attendees will also share their solutions for balancing their work and home lives.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Creating Your Flute Intonation Prescription
Megan Lanz
Megan Lanz
Colorado State University, Continuing Faculty

This session explores the concepts of how embouchure compression, air volume, mouth/throat shape, and rolling affect intonation on the flute. Once educators know the four main influences of flute intonation, they can more readily empower their flutists with the tools to adjust their intonation based on each student’s individual tendencies. At the conclusion of this session, attendees will come away with the skills to create a "prescription" for each flute student's intonation while maintaining tonal integrity.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Exhibits Reception
Rick Shaw
Rick Shaw
CMEA and CBA Chairman of Marching Affairs, Exhibits Chair

Complete your exhibitor signature card and turn it in for a free drink ticket!


Check out the online list of Exhibitors here.

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Live Podcast Recording: Why Change? A Podcast for the Creative Generation
Jeff M. Poulin
Jeff M. Poulin
Creative Generation, Managing Director
Ashraf Hasham
Ashraf Hasham
Creative Generation, Campaign Correspondent

The Why Change? podcast brings listeners around the globe to learn how artists, educators, and cultural practitioners can change the world, one community at a time. We believe that young creatives are our world’s greatest asset and recognize that we – as the adults who are dedicated to their creative development – have work to do so they can thrive. Attendees of this session will join podcast co-hosts, Ashraf Hasham and Jeff M. Poulin, and their special guest to learn and laugh while envisioning new futures through the question, “why change?”

Friday, January 28, 2022

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Standing Out: Advice for Landing Your First Job as a Music Educator
David Pope
David Pope
Baldwin Wallace University, Associate Professor of Music Education

Landing your first job after graduation can be a daunting task. This session will reveal strategies to help you successfully navigate the application process, prepare for your interview, and impress the entire search committee.


Looking to dive deeper into the content of the session? Check out these supporting materials:

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Start with Hello - Working with Administrators to Create Vibrant School Music Programs
Angela Schendel Keedy
Angela Schendel Keedy
Music teacher, recovering school administrator, and doctoral student.

Are you happy with your school music program? Is it moving toward your vision of success? None of us creates great programs alone. This clinic will give you strategies to communicate and involve your school administration, techniques help grow your program, and pathways to improve school culture in your building.

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Tune it or Die: Just intonation for any ensemble
Darin Drown
Darin Drown
Grandview High School, Choir Director

This clinic will demonstrate the differences between equal tempered tuning versus just intonation, how and when to use both, and demonstrate why the overtone series is critical knowledge to help your ensemble tune well.

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Lewis Palmer High School - Wind Symphony
Tom Chapman
Tom Chapman
Lewis-Palmer High School, Director of Bands and Popular Music Studies

Presider - Bridget O'Connor, Lewis Palmer High School Principal

Concert Host - Karen Bautista, IMC District 8 Representative

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Notes from the Composer
Omar Thomas
Omar Thomas
University of Texas at Austin, Assistant Professor of Composition

In this session, I will provide further insight into the creation of, as well as intended performance practices for, some of my most popular works.

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Windsor High School - Jazz Band
Jennifer L. Grice
Jennifer L. Grice
Windsor High School, Director of Bands & Orchestra

This performance is limited to 75 registered attendees, due to Health & Safety Protocols. Be sure to select "attending" (or click the + symbol) for this session to ensure your spot! Note: Additional seating will be made available on a first-come-first-serve basis after the start time of the session.

Presider - Corry Petersen, Poudre High School Director of Bands

Concert Host - Kim Wilson-Paugh, IMC District 2 Representative

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What Are My Strengths? An Introduction to Core Reflection for In-Service and Pre-Service Teachers
Margaret Berg
Margaret Berg
University of Colorado, Professor of Music Education and Associate Dean for Graduate Studies

Are you interested in learning about a different way to confront teaching-related challenges? This session is designed to help in-service and pre-service teachers use their character strengths and ideals as the starting point for reflection, thus using professional competencies and unique personal characteristics to respond to obstacles. This hands-on session will engage participants in various role plays designed to introduce participants to facets of core reflection and its application to common teaching challenges.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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University of Colorado at Boulder - Wind Symphony
Donald J. McKinney
Donald J. McKinney
University of Colorado Boulder, Director of Bands and Professor of Conducting

Presider - John Davis, University of Colorado at Boulder Dean of the College of Music

Concert Host - Tom Chapman, IMC District 5 Representative

Mark Dorn will receive his 25-year Recognition Award during this concert.

Saturday, January 29, 2022

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Live Audio 101 for Vocal and Instrumental Music
Ryan Unangst
Ryan Unangst
Romeo Music, Technology Specialist

Whether mic'ing a single voice, giving that jazz soloist the extra little push, or amplifying a Marching Band, knowing the ins and outs of your sound system will save you time, and result in a better experience for everyone. In this session, we'll dive into the basics of running sound so your next program can really pop! This crash course will cover how to identify your equipment and get it physically set up, how to choose microphones and gear for your application, and how to achieve a nice, natural sound through sound check.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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I Have To Teach What? - Popular Music Courses at the Secondary Level
Tom Chapman
Tom Chapman
Lewis-Palmer High School, Director of Bands and Popular Music Studies

Whether a push from administrators, the community, or as a necessary class to fill out FTE, many secondary music educators are being handed popular music courses as part of their teaching loads. Often educators are assigned these courses with little to no curriculum support or training. This session will look at taking these classes and turning them into a robust program of study in popular music in a way that honors why students take these classes, acknowledges their limits as electives, and respects the time and energy of a secondary music educator that is already spread thin. Topics will include courses (guitar, history, and recording and songwriting), curriculum development, assessment, and recruitment and scheduling.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Music Ensemble: Inside and Out How to for music clarity in your ensemble
John Pasquale
John Pasquale
University of Michigan, Donald R. Shepherd Associate Professor of Conducting, Director of the University of Michigan Marching and Athletic Bands, Associate Director of University Bands
WL Whaley
WL Whaley
Colorado Bandmasters Association, Chief Judge
Jack Yonce
Jack Yonce
Colorado Bandmasters Association, Chairman of Concert Band Activities
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What They See Is What You Get
Jamal Duncan
Jamal Duncan
Arizona State University, Associate Director of Bands

Our conducting gestures are the most efficient tools we have to communicate musically with our students. Our gestures are the main influencers of the sound we receive on the podium.

Using the methods of dancer Rudolf Laban and his principles of body movement as a springboard, this session is designed to help educators of all levels think differently about their conducting. This will be a hands-on experiential session that will build upon the Laban method in order to arrive at more effective musical communication.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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Percussion For the Small School Director
Justin Elks
Justin Elks
Arvada High School, Instrumental Music Director

Are you a small school band director? Do you have limited resources at your disposal? Are you in need of some percussion help? Then this is the clinic for you. We will discuss everything from basic percussion playing techniques to repair on those many instruments. This crash course will give you tons of ideas on how to utilize your percussion equipment in ways you never thought plus bring life back to that broken cymbal stand hiding in the corner.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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5 S.M.A.R.T. Steps to RETAINING Our Beginners
Marcia Neel
Marcia Neel
Music Achievement Council

Would you be surprised to learn that within one short year, 60% of beginning students are no longer playing? You've worked hard to recruit—and even re-recruit—beginners into your instrumental music program so this year, more than ever before, it’s all about RETAINING them! Actionable steps that can be taken by parents, administrators, and the students themselves will make all the difference whether in an urban, suburban or rural setting. In this on-target session, directors of all experience and expertise levels will learn about the role they can play in these 5 S.M.A.R.T. Steps to RETAINING Our Beginners.

Looking to dive deeper into the content of the session? Check out these supporting materials:

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All-State Jazz Band Concerts
Ben Markley
Ben Markley
University of Wyoming, Director of Jazz Studies
Ryan Van Gilder
Ryan Van Gilder
Colorado State University-Pueblo, Trombone and Assistant Director of Bands